The 1999 Spry Memorial Lecture
Mr. Gareth Grainger (Australian
Broadcasting Authority, Australia)
"Broadcasting Coregulation and the Public
Good"
BROADCASTING COREGULATION
AND PUBLIC GOOD
Gareth Grainger
Introduction
2 The concept of government for the public good
The recent NATO intervention in Yugoslavia has called into question the
unchallengeable integrity of the nation-state as supreme arbiter of the destinies of all
those within its borders. As eminent a humanist as Vaclav Havel has said in "Kosovo
and the End of the Nation-State" that there is every indication that the glory of the
nation-state as the culmination of every national communitys history, and its
highest earthly value
has already passed its peak, because
human beings are more important than the state The State is a human creation [but] human beings are the creation of God. In the next century I believe that most states will begin to change from cult-like entities, into less powerful and more rational administrative units that will represent only one of the many complex and multi-levelled ways in which our planetary society is organised. [The] conditions toward which humanity will, and in the interests of its survival must, move will probably be characterised by a universal or global respect for human rights, by universal civic equality and the rule of law, and by a global civil society.
(1)
While I accept that these remarks contain great wisdom and probable foresight, I believe they also contain the nub of the conundrum if the individual human is to be given protection, recognition and voice, then who else but the lawfully constituted and democratically elected national parliaments and governments currently exist to do so? Organisations such as the United Nations and NATO are not democratically elected and are not, except in the most indirect ways, accountable to individual citizens for their actions. The only genuinely transnational body of constitutional form and with legislative powers democratically chosen by individual citizens is the European Parliament, whose mandate is limited. While Vaclav Havel suggests a direction humankind may go in, we are only at the very beginning of such a journey. At this moment, in much of the world it is only national parliaments and the governments which derive their mandate from democratic election which can be said to give voice to the individual citizen, and must therefore be seen as the individual citizens most appropriate voice in terms of policy, legislation and administration of human affairs.
In taking this view I endorse the position put by Bernard Manin in his essay On Legitimacy and Political Deliberation:
that legitimate law is the result of general deliberation, and not the expression of the general will" and that "it is the process by which everyones will is formed that confers its legitimacy on the outcome, rather than the sum of already formed wills. The deliberative principle is both individualistic and democratic. It implies that all participate in the deliberation, and in this sense the decision made can reasonably be considered as emanating from the people.
(2)
As I have said before, nowhere at the international
level, other than in the election processes for the European Parliament, is there a
decision-making body which allows democratic expression to the views of individual
citizens in the shaping of the rules that govern humankind. Nor is there a sign that in
the decades ahead such institutions will emerge. The nation state equipped with democratic
processes remains for the foreseeable future the unit best equipped to allow the
individual citizen free and fair capacity to shape decision-making through the selection
of parliaments, installation of governments, passage of legislation and delivery of
administration. For all of the imperfections that may arise within this construct, the
democratic process has no real rival with any similar claim to respect or legitimacy. The
most extreme champions of cyberspace may believe they do, but they simply do not and I
believe will not in the foreseeable future.
So given my view that only the nation state based on democratic
processes provides an adequate outlet for expression of the individual citizen in the
shaping of laws and forms of governance, what is or ought to be the end toward which such
nations should strive through the delivery of government, law and administration? I would
like to suggest that the answer to this is simply that the state must act in all its
processes in the public interest to secure the public good.
3 The Public Interest and the Public Good.
Jean-Jacques Rousseau followed a simple and inexorable path in
exploring the way in which to identify the public good:
The firm will of all the members equals the general will. By its exercise they are citizens, and free. When a law is proposed in the peoples assembly, what is asked to them is not exactly whether they approve of or reject the proposition, but rather whether it conforms to the general will, which is also theirs. Each person in voting, gives his opinion on this matter, and the general will is then deduced by counting the votes It follows from the preceding that the general will is always right and always tends towards the public good. (3)
On this basis we could conclude that any expression
of the general will through democratic processes would always be for the public good.
Yet even Rousseau conceded the flaws inherent in this approach:
One always wishes for ones own good, but one cannot always see it. The people cannot be corrupted, but they are often deceived, and it is only then that they seem to wish for what is bad.
(4)
Whilst I do not wish in this paper to be drawn into an exploration of the various strands of legal theory represented by Grotius, Pufendorf, Locke and others on the one hand, and Hobbes and Rousseau on the other, it seems that in both strands there is a real connection between the concept of the public good, the protection of the proprietary rights of the individual citizen and the safety of their person and assets. It is the reconciliation of these views that finds reflection in the words of such a document as the "Virginia Declaration of Rights" which states in section 1 that
all men are by nature equally free and independent and have certain inherent rights, of which, when they enter into a state of society, they cannot, by any compact, deprive or divest their posterity; namely, the enjoyment of life and liberty, with the means of acquiring and possessing property, and pursuing and obtaining happiness and safety. (5)
The public good may thus be seen on one level to be an amalgam of individual rights entitlements and benefits, not least to property and safety. However, there must inevitably be a rivalry inherent in the competing rights, entitlements and benefits of the many individuals that make up a community or a nation. In identifying the public interest in securing the public good, a balance must therefore be struck between the rights and entitlements of the individual citizen and the wider rights of the whole community to stability and order. This is the role of parliaments and policy-makers. It is, I believe, also the role of any administrative body charged with administering laws in such societies and nations. The Broadcasting Services Act 1992 in Australia recognises that for a body of this kind there is a need to strike balances between competing areas in providing at s.4(2) that the Parliament
intends that broadcasting services in Australia be regulated in a manner that, in the opinion of the Australian Broadcasting Authority, enables public interest considerations to be addressed in a way that does not impose unnecessary financial and administrative burdens on providers of broadcasting services.
(6)
In 1997 the present administration of the United States of America highlighted the importance of the public interest by establishing the Advisory Committee on Public Interest Obligations of Digital Television Broadcasters to recommend appropriate legal obligations and market place rules for the digital television era. This committee has in turn referred back to one of the early seminal statements in the development of US broadcasting policy, a speech by Herbert Hoover, as US Secretary of Commerce to the Fourth National Radio Conference in Washington DC in November 1925, in which he said:
the ether is a public medium, and its use must be for a public benefit . The dominant element for consideration in the radio field is, and always will be, the great body of the listening public, millions in number, country-wide in distribution.
(7)
Whilst political philosophers may have the luxury of proposing absolute theories to underpin notions of governance, an administrator such as myself cannot afford to see the world we deal with in too rigid or structured a way. Matter and society are more fluid than Locke or Rousseau contemplated. No absolute rules are therefore likely to be practical. However, I would like to propose some principles to help focus on these twin issues of the public interest and the public good or benefit, as follows:
If my reasoning is sound, then in democratic societies and democratic institutions the public interest and the public good may be represented simply as follows:
I have in this approach already used examples from the fields of broadcasting, telecommunications and the Internet to illustrate my case. I would now like to move on to consider in greater detail the way in which these principles can, should, have and will apply to the fields of broadcasting and the Internet.
4 Broadcasting as a Public Good
To begin with, I will consider the first of the meanings I referred to in
relation to the public good, as an asset or chattel in the public domain or public
ownership. This is a particularly significant issue here because so much of broadcasting
policy since the 1920s has stemmed at least at first glance from the view that the
broadcasting frequency of the airwaves is a scarce public asset or public good and has
required to be administered, dealt with and disposed of, or allocated, in very particular
and specific ways. To reprise the quotation of 1925 from Mr Herbert Hoover: "the
ether is a public medium, and its use must be for a public benefit".
Following a period of chaotic competition for use of the radio
frequency spectrum in the early 1920s in the United States on 11 March 1924, Herbert
Hoover as Secretary for Commerce addressed the US House of Representatives Hearing before
the Committee on the Merchant Marine and Fisheries on the theme "To Regulate Radio
Communication, and for other Purposes".
It is urgent that we have an early and vigorous reorganisation of the law in the federal regulation of radio. Not only are there questions of orderly conduct between the multitude of radio activities but the question of monopoly in radio communications must be squarely met.
It is not conceivable that the American people will allow this newborn system of communication to fall exclusively into the power of any individual group or combination. We cannot allow any single person or group to place themselves in a position where they can censor the material which shall be broadcast to the public, nor do I believe that the Government should ever be placed in the position of censoring this material.
Radio communication is not to be considered as merely a business carried on for private gain, for private advertisement or for entertainment of the curious. It is a public concern impressed with the public trust and to be considered primarily from the standpoint of public interest to the same extent and upon the basis of the same general principles as our other public utilities.
(8)
A frequency war between the USA and Canada in the
mid 1920s had in fact highlighted the need to regulate use of radio frequency spectrum.
The passing of the US Radio Act and the establishment of the Federal Radio Commission in
the USA in 1927 took the first serious steps to ensure stability in the allocation of the
use of radio frequency in North America.
In a message to the US Congress in late 1926, President Calvin Coolidge
said, "The whole service of this most important public function [of radio
broadcasting] has drifted into such chaos as seems likely, if not remedied, to destroy its
great value. I most urgently recommend that this legislation [the Radio Bill] should be
speedily enacted"(9). The new Radio Act became law on 23 February
1927, establishing the Federal Radio Commission to define the AM broadcast band,
standardise channel designation by frequency and other technical and licensing matters.
The Act conferred on the new Commissioners powers to make decisions "as public
convenience, interest, or necessity requires", the so-called PICON Standard. The US
Communications Act of 1934 in turn established the Federal Communications Commission (FCC)
to undertake regulatory responsibility for allocation of radio frequency spectrum and
licensing of commercial radio services on the primary justification of scarcity of
frequency and the need to take into account "public interest, convenience and
necessity" to achieve the common good (10). One US Judge has said
of this standard "It would be difficult, if not impossible, to formulate a precise
and comprehensive definition of the term public interest, convenience, or
necessity, and it has been often said and properly by the courts that the facts of
each case must be examined [by the Commission] and must govern its determination" (11).
While at the outset the preoccupation of the US regulators was with
frequency allocation, the PICON Standard gave it wide ranging discretion to rule on other
matters than the purely technical.
Patricia Aufderheide in her recent book "Communications Policy and
the Public Interest" has observed that in the USA: "the term public interest is
grounded in a notion of governmental responsibility to create conditions for a healthy
business that can serve a range of consumers
[The] 1934 Communications Act was part
of a larger process of institutionalising corporate liberalism. Corporate
liberalism is a set of regulatory and legal arrangements that makes possible stable,
large-scale businesses and complex markets. The creation of monopolies, cartels and
sectors typified by substantial market power was seen as having powerful benefits" (12). Perhaps the most telling comment of the US regulators dilemma
in enforcing the "public interest" test was that of the former FCC Chairman Reed
Hundt who said on the eve of his retirement in 1997:
The primary job of the FCC Chairman historically was to give licences to the airwaves to a limited group of folk and to rig markets so none would ever do poorly. The good reason was to permit the firms to do well economically; the bad effect was a closed ologopolized market with little diversity of viewpoint. The primary job now ought to be the opposite: introduce risk and reward to all sectors of the communication business. The problem then is how to promote non-commercial purposes, such as conducting civic debate about political issues or educating kids, without simply relying on a cosy partnership between government and a tiny group of media magnates.
(13)
At this point it is worth noting the perceived view
in the USA that the Commissioners interpretation of the public interest has too often
aligned with the perceived interests of the commercial broadcasters (14).
This charge of regulatory capture is one which all communications industry regulators
around the world face and must confront.
In Canada the 1913 Radiotelegraph Act gave the Canadian federal
government the power to license use of radio frequency. A dispute in 1928 between a number
of Canadian radio stations operated by rival church and religious groups led the Canadian
Minister for Marine and Fisheries, the relevant licensing authority, to reallocate
entitlements to use of some radio frequencies in Canada, resulting in the shutdown of four
stations operated by the Bible Students. The resulting public furore led to a declaration
by Marine Minister P.J.A. Cardin, that the Canadian Government would adopt "a policy
of national broadcasting along the lines adopted
. by the British Government" (15).
The ensuing debate raised the core issues of property rights in radio
frequency, competition, censorship, state ownership, local content and foreign control
which run as leitmotifs through most discussions of broadcasting policy in Britain, Canada
and Australia from the 1920s to the present day. However, a fundamental threshold issue
was the scarcity of the spectrum and the need for an ordered way of dealing with it and
allocating it in order to avoid chaos. Minister Cardin stated that "the use of the
air has never been free, and so far as radio is concerned, the use of the air cannot be
free, because if it were open to anyone to use the few channels of communication that we
have in the radio service, the result would be chaos" (16).
The result of this debate was the establishment in late 1928 of a Royal
Commission into Canadian broadcasting chaired by Sir John Aird. Whilst my Canadian
audience will be entirely familiar with the subsequent five year history which led to the
passage of Canadas Radio Broadcasting Act of 1932, for me one of the pleasures of
this task I am today undertaking has been to learn so much about Canadian broadcasting and
about the remarkable role played by the late Graham Spry and his Canadian Radio League in
the settlement of the foundations of all subsequent Canadian broadcasting policy. Most of
this I will refer to later. In this part of my paper I want to touch only on the fact that
the outcome of the debate was the establishing of the Canadian Radio Broadcasting
Commission as a government-appointed body of three commissioners who would both regulate
broadcasting and carry on the business of broadcasting in Canada (17).
I note that Graham Spry himself opposed the establishment of a
commission so appointed rather than through a corporation, because "the type of men
attracted to a position on the Commission would be quite inferior to the type that would
respond to the challenge of promoting positively a great national network" (18). I leave to others an assessment of whether Mr Sprys fears
have proved justified. At this point, what is important is to note that Prime Minister
R.B. Bennett in introducing the Bill to the Canadian House of Commons on 18 May 1932,
cited as the third reason for putting this legislation forward to create a combined
regulator/service provider for Canadian broadcasting was
The use of the air that lies over the soil or land of Canada is a national resource over which we have complete jurisdiction under the recent decisions of the privy council I cannot think that any government would be warranted in leaving the air to private exploitation and not reserving it for development for the use of the people. It well may be that at some future time, when science has made greater achievements it may be desirable to make other or different arrangements (19).
Thus, at least one of the key reasons for putting in
place the system of regulation of broadcasting in Canada was the scarcity of the radio
frequency spectrum and the need to deal with the public asset of the airwaves, including
its orderly allocation.
In Australia, the first regulations for broadcasting were introduced on
1 August 1923 followed by a second set of regulations issues on 17 July 1924, providing
for the licensing by the Post Office of commercial radio broadcasters able to carry
advertising.
This took place under the Commonwealth of Australias
constitutional powers in respect of posts and telecommunications (20).
Difficulties with the introduction of broadcasting following from these regulations led to
the appointment of a Royal Commission into wireless broadcasting in Australian,
established on 28 January 1927. Following on from this Royal Commission, the Australian
Government decided upon a two-tiered approach to Australian broadcasting services:
a
publically owned National Service
private
sector licensed services known as the Commercial service (21)
The regulation of the newly named Commercial Service remained with the Wireless Committee of the Post Office until 1948. The Commercial Radio Industry at its 6th Annual Convention in 1936 urged the Commonwealth Government to establish a board to regulate commercial broadcasting to deal with licensing and allocation of frequencies. The concept of regulation of broadcasting in Australia thus was firmly grounded in the notion of the scarcity of radiofrequency spectrum and the need to coordinate and manage it and licence services to use it. However, when the Commonwealth Parliament finally enacted the Broadcasting Act 1942, it simply provided that "the Minister shall appoint in each State a Broadcasting Advisory Committee" whose functions would be to:
advise the Minister in relation to all or any matters connected with broadcasting programs or the exercise of any powers, duties, functions, conferred or imposed by this Act or the regulations upon the [Australian Broadcasting] Commission or the licensees of a commercial broadcasting station
(22).
The only specific function provided in the Act for
the advisory committees was a requirement for the committees to submit a report to the
Minister with regard to any matter broadcast, from a National or commercial station,
alleged to have been blasphemous, indecent or obscene (23). Clearly by
1942, in Australia the concept of broadcasting regulation had thus widened beyond dealing
with the issue of radio frequency as a public good or chattel. Once again, these other
reasons will be considered later.
There is thus a clear common thread between Canada, Australia and the
USA that at least one of the fundamental justifiers of broadcasting regulation in the
early days in radio, at least, was the notion that the radio frequency, airwaves or ether
was a publicly owned asset that needed to be made best use of by an orderly process of
allocation and the licensing of new services. Bearing in mind the almost prophetic
prediction of Canadian Prime Minister Bennett in 1932 that "
at some future
time, when science has made greater achievements ... it may be desirable to make other or
different arrangements" for broadcasting, it is necessary to consider the extent to
which this notion of spectrum scarcity and the need to avoid chaos in its use was ever the
sole or fundamental justification for broadcasting regulation. If it was and remains the
sole justification for broadcasting regulation, then surely the days predicted by Prime
Minister Bennett are not too many years distant an era of digital broadcasting,
channel richness and the end of spectrum scarcity.
However, for the time being at least, spectrum scarcity remains an
issue. For example, in Italy, where a period of deregulation lead to the creation of
something like 600 private television broadcasters around the country, they
have so far identified only four channels for digital broadcasting. These are to be used
to provide national and regional coverage by the major national and regional broadcasters,
but the private broadcasters, if they are to be catered for at all in the
digital world, will have to await the end of analog broadcasting.
Closer to home, in Australia, while each of the current five television
networks are to be given a channel with the capacity to broadcast high definition
television, few extra channels are proving able to be found to allow for datacasting or
new television broadcasters.
Notwithstanding this, I have no hesitation in saying, that spectrum
scarcity and the need to deal with the allocation of spectrum as a rare public chattel or
good was never the real or sole basis of broadcasting regulation and that from the outset
or very early after the outset in countries such as Canada, Australia and the United
Kingdom, broadcasting was deemed to have a particular quality or character which required
it to be dealt with in a manner different to other information outlets such as newspapers.
In examining what those rationales were, and considering their current validity we will be
able to consider the applicability of those principles to new media such as the Internet.
5 Public Interest Purposes for Regulating
Broadcasting National Culture and Protection of the Home and Family
Beyond the moment of bringing order out of chaos in broadcasting industries
in Europe, North America and Australia, the truth is that the underpinnings of
broadcasting regulation have always been for larger reasons than simply dealing with the
orderly allocation of a public asset. Whilst the model adopted for broadcasting in the
United Kingdom in the 1920s was not universally admired or emulated around the world, the
thinking that has occurred in the United Kingdom about the role of broadcasting and the
way in which governments need to deal with it from a regulatory point of view has, I
believe, been critically influential in many countries, not least Canada and Australia.
When we examine that history, I believe we come close to understanding what has motivated
and underpinned broadcasting policy and regulation for the past seventy years. At the
heart of that process lie issues completely different to the bald technical necessity of
frequency allocation. The rationales are the public interest in national culture and the
integrity of the home as centre of family life and the need to protect and nurture that
life in a way quite different to that considered appropriate for the press or other media.
If we can understand what these wider public interest underpinnings have been we will be
better able to consider their ongoing relevance in an online and channel rich world of
communications abundance.
In considering these issues I should acknowledge the existence of at
least two different views about public interest and the audiovisual media. Michael Tracey
has clearly articulated these two views in "Public Services Broadcasting":
The debate is between two opposed models of how choices should be made for the development of the audio-visual media and the kinds of programmes they will make available to the public-as-audience. The models invoke different conceptions of democratic rights and freedoms, different views of the relationship between culture and economics. One model suggests that to sustain the general well- being of this society and its culture the state (perhaps the body politic is a better phrase) has not just a right but a duty to make strategic decisions and interventions through its nominated institutions. In broadcasting those interventions are to guarantee a range, depth, quality, and independence of programme output which other arrangements would simply not supply. Those arrangements have been carried out in many countries through the model of public service broadcasting. Against this is set a very different model in which regulation through public policy is held to be neither right nor necessary. The theory defining this alternative model suggests that in a democratic society the state has no right to make choices for its citizens in the audio-visual area any more than it has a right to tell them which books to write or read. To use a by now well-worn phrase, what matters is consumer sovereignty. Democratic rights, moreover, are now made more feasible by enormous advances in the physical capacity to communicate through broadband cable systems and satellite communications. The difference is between the individual as part of the collective, and the individual as just that, an individual.
Here then are two models between which the audience-as-citizen is being asked to choose: policy guided by the hand of public regulation, employing public values, serving the public interest; and policy as the ad hoc result of a myriad individual choices with the collective good and interest in effect being what the public, using economic judgements, say they are. In country after country one can see a collision between a cultural or civic model for the development of broadcasting and the economic or circus model for the larger construction of a culture of communications of which television and radio are one part (24).
I must make clear at this point that I believe,
together with such great figures as John Reith in the United Kingdom and Graham Spry in
Canada, that it is the former view which originally inspired broadcasting policy in our
countries and that it remains the view which should prevail. Citizens can choose
governments but they cannot choose their media moguls.
In the United Kingdom, the British Broadcasting Company was licensed as
the sole private commercial operator by the Post Office on 18 January 1923, drawing
together a consortium of receiver manufacturers. Owners of receivers were to pay a licence
fee to the Post Office. The Managing Director of the company was John Reith. The immediate
financial difficulties of this private corporation led Parliament to appoint the Sykes
Committee in April 1923. The Sykes Committee concluded in August 1923 by reporting that
"broadcasting holds social and political possibilities as great as any attainment of
our generation" and that "for these reasons we consider that the control of such
a potential power over public opinion and the life of the nation ought to remain with the
State, and that the operation of so important a national service ought not to be allowed
to become an unrestricted commercial monopoly" (25). The Sykes
Committee recommended that the public corporation should be independent of government. The
subsequent Crawford Committee recommendations in 1925 led to the Charter and Licence which
created the BBC and authorised it to broadcast for ten years from 1 January 1927 as a
monopoly financed by annual fees on radio receivers and administered by an independent
public corporation and with John Reith as the first Director-General (26).
The Crawford Committee noted that the public property in the airwaves was a valuable
national asset which should be used in the general public interest and not for the benefit
of powerful or rich interest groups (27).
The Crawford Committee recommended that the new Corporation should
"act as Trustee for the national interest and that its status and duties should
correspond with those of a public service, and the purposes of such a service was not
simply to entertain but also to inform and educate. The subjects covered were to be wide,
the standards of presentation high, and controversial matters were to be treated
impartially. The programmes were to be made available to a vast majority of the
population." (28).
I believe we have here the key to understanding the subsequent history
of broadcasting in the UK, Canada and Australia concepts of trusteeship, national
interest, entertainment, information and education, quality content, impartiality and wide
audience reach. It has been said that the "information, education and entertainment
phrase in the BBC Charter is somewhat the British equivalent of American
broadcastings famous public convenience, interest or necessity clause as
a source of policy guidance" (29). I observe here that the
British words seem somewhat clearer than the American words in terms of guiding
decision-makers in the best use of their discretions. From the establishment of the BBC
until now, the national broadcaster in the UK has been both the broadcaster and the
regulator of its own affairs under its Royal Charter. The Television Act of 1954
established the Independent Television Authority which was empowered to set up the first
commercial television service in the UK. In 1972 this became the Independent Broadcasting
Authority, with the task of "providing" television and local sound broadcasting
services, additional in each case to those of the British Broadcasting Corporation and of
high quality, both as to the transmission and as to the matter transmitted" (30). This body was for the commercial sector both the planning body, the
broadcaster and the regulator of commercial broadcasters services in the UK. The 1962
Pilkington Report, while praising the BBC, was also highly critical of the Independent
Television Authority for not being "in effective control of Independent
Television" (31). The Pilkington Reports criticism of
commercial television programming and its view that the ITA was not keeping itself
sufficiently informed of public reaction to commercial television programming led to
amendments to UK laws requiring the ITA to ascertain "the state of public opinion
concerning the programmes (including advertisements)" (32).
Reviewing the resulting changes in broadcasting 15 years later, the
Annan Report drew the following conclusion about broadcasting:
What is there in broadcasting which makes it unique and different from other forms of communication and is its nature likely to change in the period under review? The simple answer is that at the heart of broadcasting is the mass audience. Radio, as well as television, possesses the unique quality of addressing simultaneously the greater part of the population in their 19 million homes. Other methods of communication like the press, the postal and telephone services, which people receive in their homes, cannot do so. Broadcasting can bring an event to a large audience not only simultaneously but immediately it happens. We can all watch the Cup Final or see men landing on the moon. There are other forms of communication, such as theatres, films or public meetings, which certainly address sizeable numbers of people at the same time. But they do not address them in their homes and compared with broadcasting the numbers they address are tiny. Broadcasting can communicate with smaller numbers, as it does in local radio; but even so, its audience is larger than those of other forms of simultaneous communication. At a time when people worry that society is fragmenting, broadcasting welds it together. It links people, gives the mass audience common topics of conversation, makes them realise that in experiencing similar emotions, they all belong to the same nation
(33).
The Annan Report in 1977 endorsed the 1962 views of
the Pilkington report comparing "the effect of broadcasting on society to that of
water dripping on a stone [concluding] that, until there was unmistakable proof to the
contrary, there must be a presumption that television would have a considerable influence
on the moral standards of our society" (34). The Annan Report
noted that "it seems to us that Governments and Broadcasting Authorities are bound to
take note of the facts that many people assume that because broadcasting services are seen
and heard in nearly every home, broadcasting is an all-pervading and powerful medium of
communication having a direct effect on peoples attitudes and behaviour
."(35). The Annan Report endorsed the objectives for broadcasters of
providing entertainment, information and education for large audiences" but proposed
an additional one, that of enrichment: "to enlarge peoples interests, to convey
to them new choices and possibilities in life, this is what broadcasting ought to try to
achieve" (36).
The Annan Report concluded that "in the end someone has to have
the responsibility for deciding which aspects of the public interest should prevail and
what can be broadcast in particular circumstances at any given time. In our view, the
ultimate responsibility should rest with the [broadcasting] authorities, as the mediators
between the professional broadcasters and the public. The Authorities are themselves
accountable to Parliament for their decisions, and the services they provide, and
Parliament itself is accountable to the electorate. This pragmatic solution to a complex
problem has stood the test of fifty years of operation, and we consider should be
maintained in its essentials. We therefore recommend that broadcasting authorities should
continue to be responsible for all broadcasting services and that they should be
independent of Government in the day to day conduct of their business" (37).
This statement contains ingredients of what remains at the heart of
broadcasting regulation in the UK, Canada and Australia today the public interest
test in reference to education, information, entertainment, quality content and
independent regulatory oversight accountable to Parliament, which itself is accountable to
the people into whose homes broadcasting intrudes. The missing ingredient was the
separation of the regulatory function from the broadcasting function in the UK, which did
not come at least for commercial broadcasting until the creation of the Independent
Television Commission in 1990.
The UK Conservative Partys election Manifesto of 1987 included
proposals for a new Broadcasting Bill to "enable the broadcasters to take full
advantage of the opportunities presented by technological advances and to broaden the
choice of viewing and listening." (38). However, this Manifesto also promised that
there would be "stronger and more effective arrangements" to reflect perceived
public concern over the portrayal of sex and violence in television and radio programmes
received in the UK (39).
The new Conservative Government led by Margaret Thatcher took the first
step to implement this by establishing the Broadcasting Standards Council on 16 May 1988,
with a remit to draw up a code on standards of taste, decency and the portrayal of sex and
violence in UK broadcasting programmes; to monitor programme standards in these areas, to
consider complaints from the public and to initiate research into public attitudes (40).
On 7 November 1988 the Conservative Government released its White Paper
"Broadcasting in the 90s: Competition, Choice and Quality. The
Governments plans for broadcasting legislation". Amongst the stated objects for
the proposed new independent broadcasting regime were the introduction of a new national
fifth channel, and statutory positive programme requirements including regional
programming, high quality national and international news and current affairs, a diverse
programme service, a minimum of 25 percent of original programming from independent
producers and a proper proportion of programme material of EC origin. These were thus the
key public interest considerations. The most significant change from a regulatory point of
view was the recommendation that a new Independent Television Commission (ITC) would
replace the IBA to licence and supervise all parts of a liberalised commercial television
sector. This body would have a capacity to impose tough sanctions, including the power to
suspend or cancel licences, but was intended to operate with a lighter touch than had the
IBA. The White Paper also recommended that the new Broadcasting Standards Council should
be placed on a statutory footing (41).
The resulting Bill received Royal Assent on 1 November 1990. The key
public interest objectives of the ITC are set out at s.2 (2) which provides for the ITC to
discharge its functions in the manner which the ITC considers to be best calculated to:
First of all, this country must be assured of complete Canadian control of broadcasting from Canadian sources, free from foreign interference and influence. Without such control radio broadcasting can never become a great agency for the communication of matters of national concern and for the diffusion of national thoughts and ideals, and without such control it can never be the agency by which national consciousness may be fostered and sustained and national unity still further strengthened.
(48)
Whatever the history of Canadian broadcasting in the
next 30 years, there is no doubt that by the mid 1960s the public interest issue of
national cohesion remained a dominant feature of Canadian broadcasting policy. The 1966
White Paper on Broadcasting stated "The determination to develop and maintain a
national system of radio and television broadcasting in Canada is an essential part of the
continuing resolve for Canadian identity and cultural unity" (49).
The White Paper led to the Broadcasting Act of 1968 which established a
new independent statutory regulatory authority the Canadian Radio-Television Commission
(CRTC). This agency in 1976 acquired responsibility for telecommunications as well as
broadcasting and became the Canadian Radio-Television and Telecommunications Commission.
The 1968 Act set out a series of objects amongst them being that the "Canadian
national broadcasting service should
contribute to the development of national
unity and provide for a continuing expression of Canadian identity" (50).
This was to be the dominant public interest consideration required of the national
broadcaster, but the Act did not give any other guidance as to how it was to fulfil this
role or indeed what national unity might mean.
One of the battlegrounds of national broadcasting policy after 1968 was
between the CRTC, the regulator, and Canadian Broadcasting Corporation, the national
broadcaster, over who was to be the prime arbiter or guardian of the meaning of the public
interest provision in respect of national unity.
In relation to its role in establishing the framework for cable
broadcasting in Canada, the CRTC took the view that its duty was not to protect any
particular sector of the broadcasting industry but to promote an economic strategy for the
entire broadcasting system (51). In relation to service provisions,
the CRTC took a strong consumer protection perspective, saying: "Persons licensed in
the public interest should hardly need to be reminded of their obligation to the public
they are licensed to serve" (52).
However, the CRTC could not avoid the accusation, made of the FCC and
other broadcasting regulators, that it had become the compliant captive of the industry it
was regulating. In evidence at the June 1975 Cable television hearings D.R. Graham of the
Canadian Cable Television Association said to the CRTC, "Your problem
is to
give the outward appearance of satisfying the public that their interests have been looked
after and you dont like perhaps to say to the public that we are perhaps more
competent to make this evaluation than you, an average citizen" (53).
An Ontario government Royal Commission on Violence in the Communications Industry reported
in 1976 suggesting that the Canadian broadcasting system, including the regulator, was
insensitive to the needs of the public and made proposals for its radical democratisation
"to make it more responsive to viewers and their real social imperatives" (54).
If one of the main public interest roles for the whole of Canadian
broadcasting was the issue of Canadian cultural identity and national bonding, then the
Applebaum-Hébert Federal Cultural Policy Review of 1982 highlighted that the CRTC was
having problems delivering on its role in this field.
This report "considered that [CRTCs] main instrument for
implementing cultural objectives, Canadian content requirements, had not worked. The CRTC
had been reluctant to use its power to make and enforce strong regulations because
of their possible impact on the economic viability of private broadcasters. The
inherent conflict here, as in many other areas of cultural policy, is between an
industrial and a cultural strategy, and here too, industrial strategy seemed to have
the upper hand" (55). The report recommended "that
broadcasting regulation in Canada should remain exclusively in the hands of a single
federal agency, the CRTC which should continue to license provincially and
municipally based broadcasting undertakings. But the report also saw the CRTC as the
ultimate guardian of the public interest in broadcasting "and recommended that to
help it better understand the publics view of the public interest the CRTC should
establish advisory committees in each province "to assist in performance evaluation
of licensees and to provide advice and reaction from a local perspective on all broadcast
activities" (56).
These remarks, I believe, highlight an ongoing dilemma in the struggle
for effective delivery of the public interest role by broadcasting regulators. I might say
at this point I believe that strong public interest voices are required which can
represent issues to the broadcasting regulator as part of the decision-making process.
The 1991 Broadcasting Act of Canada set out a clear declaration of the
public interest objectives in its statement at s.3 of "Broadcasting Policy for
Canada", providing, inter alia:
The 1991 Act provides at s.5 for the Radio Television and Telecommunications Commission to regulate the Canadian broadcasting system in a flexible manner that:
The public interest objectives of the legislation both in terms of overall broadcasting policy and in terms of the conduct of the regulator are thus clearly laid out rather than left to a vague reference to "the public interest".
6 New regulatory Options for Communications
During the 1980s the traditional approach to broadcasting regulation in
some countries came under review, with options often being considered for allowing the now
mature broadcasting industries some role in the regulation of their own industries.
Perhaps the first major development of this kind was in Canadian broadcasting regulation
with CRTCs 1986-1987 restructure of the regulatory framework to allow for
significant measures of industry self-regulation which the CRTC itself described as
"industry recognition of its responsibilities to the Canadian public" (59). I should say at this point that this form of self-regulation is in
fact more accurately described as co-regulation, since the self-regulatory regime sits
within an overarching framework of legislatively emplaced regulatory oversight. If the
self-regulatory system fails, then there is an immediate capacity for the regulator to
intervene to ensure the overall public interest objectives can be protected.
The Australian move in this direction is dealt with in the next part of
this paper. The accepted place of self-regulation or co-regulation as a significant method
for dealing with communications industries was recognised by Commissioner Marcelino Oreja
of the European Commission at the Seminar on Self-Regulation in the Media at Saarbrücken
on 20 April 1999. Commissioner Oreja argued well, and I believe correctly, the case for
ongoing regulation of the media, notably broadcasting and the Internet, and for the place
of self-regulation or co-regulation in that regulatory landscape which seeks to deal with
channel rich capacity in the digital era of globalisation:
The truth is, we do not know what the media markets of the future will look like. The future is not determined by technology alone, but by a whole range of cultural, social and economic factors. We should therefore proceed step-by-step into the future, adapting our regulatory tools to take account of our new developments and changes in the media landscape, as and when they occur.
It is becoming increasingly clear that self-regulation mechanisms can and should play an important role in this respect. This is an important principle with regard to the "who" question, as it implies a higher degree of involvement of the industry itself and a lesser degree of public intervention.
Indeed, this is why todays initiative on the part of the German Presidency is so timely and so welcome and why the Commission supports it.
I know that one of the goals of the Presidency in undertaking this exercise was to clarify the notion of self-regulation itself. I should therefore like to make, if I may, a small contribution in this respect.
I should like first to make clear what I think self-regulation is not.
Self-regulation is not simply the absence of regulation. Neither should it be seen as it sometimes is as an end in itself, as something inherently superior and therefore more desirable than regulation or legislation.
To me, self-regulation is simply a means to an end, and one of several, at our disposal.
In this sense, another possibility, which is not excluded, is the need for regulatory bodies for the audiovisual sector which are independent of political power. They should be part of the answer to the "who" question.
I am convinced that one of the prime tasks of regulatory bodies today is to ensure pluralism in broadcasting and to ensure compliance with rules on content by all audiovisual practitioners.
It is clear that what has been called "self-regulation" can provide a flexible evolutionary supplement to basic regulation. The German experience gives us once again a valuable example with the television Councils, whose members are drawn from all groups within German society. But let me come back to the topic of self-regulation.
Broadly speaking, I would say that there are two main types of self-regulation:
First, there is self-regulation where the operators and other interested parties in a sector agree among themselves on certain behavioural rules. This is generally done on the basis of codes on conduct. The essential aim of such action is often to obviate the need for government regulation. An example of this type of self-regulation is the Press Code in the United Kingdom. Here the "who" is mainly the industry itself and the public (which can have recourse to a complaints mechanism).
Secondly, there is self-regulation that fits in with a legal framework or has a basis laid down in law. This was referred to as "regulated self-regulation" at the Birmingham Audiovisual Conference. In this case, the public authorities generally lay down a set of objectives to be achieved and perhaps some general behavioural rules but leave it up to the operators and other interested parties to establish, implement and sometimes monitor the more detailed rules whereby these objectives are achieved. Sometimes, the legal framework provides for back-up action on the part of the public authorities should self-regulation fail. An example of this approach is the German "multimedia law," and in particular its provisions on youth protection. The "who" here is a partnership between the public authorities and the industry, sometimes called "co-regulation.
It should be stressed, however, that both types of self-regulation inter-link with some form of regulation. (60)
The range of regulatory options for the communications sector ranges from no regulation at all through industry self-regulation, to co-regulation where the regulatory function is shared between a regulator and industry associations to complete heavy handed government regulation. It is the co-regulatory model which both Australia and Canada are pursuing and it is the Australian approach to this which I now wish to explore.
7 From no regulation to co-regulation
Australian Broadcasting Regulation 1923 - 2000
7.1 The History of the Australian Broadcasting Regulation to 1992
Broadcasting in Australia is governed by s.51 (v) of the Australian
Constitution which gives the Commonwealth Government power to make laws relating to
"postal, telegraphic, telephonic and other like services." The High Court of
Australia in Jones v. Commonwealth (1966) 112 CLR 206 at 226, said:
The power under s.51 (v) is not confined to providing for the establishment, maintenance or operation of telegraphic, telephonic or other services, but relates to the choice of the persons who may make use of such a service either to send or receive communications, to the conditions upon which persons may use it, and to every aspect of the use and advantage they may have from it.
Broadcasting in Australia began officially on 23 November 1923. In 1932
the Australian Broadcasting Commission Act was passed, establishing the National
Broadcasting System as a publicly owned operation known as the Australian Broadcasting
Commission, in addition to the commercial radio sector. In 1942, the Joint Parliamentary
Committee on Wireless Broadcasting (the Gibson Committee) expressed the need for
broadcasting to ensure that its powerful influence was used for the good of society. In
the Committees view, there was a need to regulate "for at least some measure of
public control of programmes in the general interests of the community, not only to
prevent the service from being used for improper purposes, but to ensure that it will
exercise a positive influence for good on the individual and national character" (51). Following the Gibson Report in 1942, the Australian Broadcasting
Act was passed, and in 1948 that Act was amended to provide for the establishment of the
Australian Broadcasting Control Board (ABCB) to take over the regulatory functions of the
Postmaster-Generals Department with respect to commercial broadcasting (52).
The role of the new Board was, inter alia:
To ensure that the provision of radio, television and facsimile stations was in
accordance with plans approved by the Postmaster-General.
To ensure the adequacy of technical standards, procedures and equipment.
To ensure the provision of "adequate and comprehensive programs"
To ensure the provision of political programs in an "equitable
manner".
To make recommendations to the Minister for Communications in relation to the
licensing of commercial radio [and later] television stations.
The 1954 Royal Commission on Television in Australia
held that in relation to the presentation of good taste through positive programme
standards, these regulatory provisions were necessary "in order to provide not only
for the entertainment and enjoyment of viewers, but also for their education
and
enlightenment. The use of this new medium of communication must, in our views be regarded,
by commercial as well as national stations, as in the nature of a public trust for the
benefit of all members of society" (53).
In 1956 the 1942 Act was amended to become the Broadcasting and
Television Act which provided for the ABCB to apply to commercial television the same
licensing systems as for commercial radio, with the modification that there must now be a
public inquiry by the Board prior to the grant, renewal or termination of any licence.
Provisions were also introduced which specifically enhanced the role of the ABCB:
To make decisions in relation to the
Australian content to be included in commercial programming.
To oversee new limitations on ownership and control of television stations in
Australian state capital cities; the "two-station" rule.
To oversee new foreign ownership rules.
The 1956 amendments removed the national
broadcaster, the ABC, from the ABCBs supervision in respect of programme content.
Perceived weakness by the ABCB in relation to these Australian content powers led to the
1963 Senate Committee on the Encouragement of Australian Production for Television; led by
Senator J.G. Vincent, which recommended that the Broadcasting and Television Act be
amended to clarify the programming powers of the ABCB in relation to Australian content (64).
In 1976 the Commonwealth Government decided to abolish the ABCB and to
replace it on 1 January 1977 by the Australian Broadcasting Tribunal (ABT). The ABT became
an independent statutory body with a legally independent power in relation to licensing,
ownership and control matters. Licences were to be normally renewed for periods of three
years after a public inquiry had been held into the matter by the ABT.
One of the first tasks which the ABT undertook was the holding of an
inquiry into the whether commercial broadcasters should be allowed to regulate themselves
in certain areas. This "self-regulation" inquiry concluded that broadcasters
should not be expected to immediately regulate themselves in areas such as childrens
programmes, Australian content and advertising where the broadcasters commercial
interests conflicted significantly with the public interest. Other content areas were
considered amenable to regulation by means of industry codes. This measure of
self-regulation was not implemented at the time, and instead, the ABT undertook to review
all of the existing content rules. However, the most significant conclusion of the
self-regulation inquiry, that broadcasters become more accountable to the public, was
implemented. The ABT placed an emphasis on the need to assess the performance of stations
and licence renewal hearings, against the needs of the community. Not only were
broadcasters to become more responsible and responsive to the interests of the public with
an emphasis on public hearings, but the ABT itself placed great emphasis on public
processes in the performance of its functions, including the development of new program
standards. In the nineties, these standards were to form the basis of industry codes
covering areas such as taste, decency, accuracy and fairness in news and current affairs.
Those standards which have had a decisive influence on Australian
television ever since were:
Australian Content in Program Standard
1990
Childrens Television Standards 1984.
Australian
Content in Advertising Standard 1992.
These rules, which cover some of the most
contentious area of broadcasting regulation have remained very much as they were
originally determined under the ABA. They are considered responsible for the Australian
character of Australian television and the strength of the local television production
industry, including childrens television. Indeed, Australia has become somewhat of a
model for the regulation of childrens television in order to achieve the public
interest in this sector.
While the various discretionary provisions of the Broadcasting and
Television Act 1942 as subsequently amended did not always refer to the role of
broadcasting regulation in relation to protection of the public interest, the ABT did
itself seek to refer to the public interest in the exercise of its duties and powers. In
the case of R v. Australian Broadcasting Tribunal; ex parte 2HD 144 CLR 1979-1980 45 the
Australian High Court affirmed a decision by the ABT that it would refuse to consent to
the transfer of a broadcasting licence on the grounds that the transfer would be contrary
to the interests of the public in the Newcastle area, even though the relevant provision
of the Act did not refer to the "public interest". The High Court declared:
When the purpose of the statute is to promote and protect the public interest [in relation to broadcasting] the Statutory discretion [of the regulator], if not relevantly confined, should be read as enabling the Tribunal to protect the public against the possibility of prejudice or detriment. The Tribunal was rightly concerned with the possibility of influence that might arise from the concentration of ownership which it found to exist as a matter relevant to the public interest.
(54)
This case highlighted the power of the ABT to take account of public interest considerations, even where the governing Act did not specifically refer to them. But it also highlighted the need for the Australian legislation to be clearer about the sorts of matters which ought to guide the Tribunal in considering public interest issues. The Tribunal itself, as the 1980s progressed, became mired in controversy over its ever-recurring cycle of licence hearing renewals which attracted almost obsessive media interest and gave rise to the notion of the ABT as being litigation-oriented. The interventionist and prescriptive regulatory framework came under increasing pressure for reform with the rise of the new mantra of de-regulation and competition policy. By the early 1990s there was a desire from industry and government for a new direction in broadcasting regulation with a clearer set of public interest guidelines for the regulator and the industry. With the possibility of many new services, to an extent resulting from technological progress and the pressure for greater market competition, the time for a greater degree of industry self governance had arrived.
7.2 Co-regulation of Broadcasting The
new Australian approach
The Broadcasting Services Act 1992 and the establishment of the
Australian Broadcasting Authority
In 1991 the Minister for Communications announced a review of
Australias Broadcasting Regulations to consider how best to move from the
heavy-handed regulatory regime administered by the ABT.
The January 1993 Edition of the Broadcast Reform paper titled A
New Approach to Regulation gives an overview of the then Governments reforms
objectives.
The review of broadcasting regulation, foreshadowed as part of
the Governments 1987 micro-economic reform agenda, culminated in the proclamation of
the Broadcasting Services Act 1992 on 5 October 1992. The review was prompted by
widespread disquiet about the complexity and inefficiency of the Broadcasting Act 1942,
especially in its ability to deal with emerging technologies and services. Consistent with
Governments wider reform objectives, the review set out to:
develop broadcasting legislation to serve Australia into
the next century, and complement the landmark reforms in telecommunications;
move away
from the closely prescriptive approach of the Broadcasting Act 1942;
provide a
framework which would accommodate the future and which promoted an industry that could
adapt to new commercial and technological realities;
produce
regulatory arrangements that were consistent and predictable and which did not
unnecessarily impede commercial activity;
provide
opportunities for public consultation in transparent and accountable decision-making
processes; and,
provide a
regulatory framework which was, to the greatest extent possible, consistent with the wider
commercial law.
The Broadcasting Services Act 1992 replaced the
fifty year old litigation-prone and over-amended Broadcasting Act 1942. The Broadcasting
Services Act 1992 established a new regulatory agency, the Australian Broadcasting
Authority (the ABA), to replace the much maligned Australian Broadcasting Tribunal as the
body responsible for overseeing the new regulatory regime for the Australian radio and
television broadcasting industry. I believe that the Broadcasting Services Act 1992 has to
a significant extent achieved the twin objectives of flexibility and certainty and has set
down an effective framework within which the Australian broadcasting industry has been
able to move forward and develop.
In proposing a new broadcasting regime in 1992 the then Australian
Government had the clear intention for the Broadcasting Services Act 1992 to establish an
appropriate regulatory framework for the broadcasting industry that would serve Australia
well into the Twenty First Century.
Senator Collins, during the Second Reading Speech in June 1992,
outlined the main goals of this regulatory regime:
The final form of the Bill balances the diverse, and often conflicting, aspirations of those interested in the broadcasting industry to develop a regulatory framework that serves the public interest in all its dimensions - social, cultural and economic - while also meeting the needs of a changing and growing industry.
We need new legislation capable of allowing the broadcasting industry to respond to both the complexities of the modern market place and the opportunities created by technological developments.
Underpinning the whole framework is the intention that different levels of regulatory control apply across the range of broadcasting services according to the degree of influence that such services are able to exert.
The Bill incorporates objectives and policy guidelines. It sets out the categories of service, describing them by their nature rather than by their technical means of delivery...It provides for: new types and greater public access to the regulatory processes; a continuation of obligations on broadcasters in relation to program standards; and ensures that Parliaments objectives about diversity of ownership are effectively delivered. It provides for far more accountability, while retaining a suitable measure of statutory independence for the regulatory agency.
The underpinning feature of the legislative
framework is its light touch and co-regulatory approach to
regulation. As Senator Collins made clear, it was the Australian Governments clear
intention that different levels of regulatory control should apply across the range of
broadcasting services according to the degree of influence that such services are able to
exert. The Broadcasting Services Act 1992 sought to achieve this through not defining
services by their technical means of delivery but rather by their nature, for example,
commercial television broadcasting, community radio broadcasting or subscription
narrowcasting.
In this way the Broadcasting Services Act 1992 aimed to facilitate new
types and greater numbers of services to emerge; ensure greater public access to the
regulatory processes; achieve a continuation of obligations on commercial television
broadcasters in relation to Australian content and childrens television standards;
and ensure that Parliaments objectives about diversity of ownership were effectively
delivered.
The then Australian Government was particularly keen that the
regulation of broadcasting move away from the litigation-prone regime administered by the
Australian Broadcasting Tribunal to a more cooperative and mutually responsible scheme of
regulation driven by market forces where a key role of the regulator was to ensure that
community interests were met in areas where the market might fail to do so.
The Australian Government had a number of clear public interest and
industry outcomes it wanted to achieve in relation to broadcasting. These are set out in
the objects of the Broadcasting Services Act 1992. Yet the Government recognised that
there would be some inherent tensions between the different objects. The Government
thought that rather than try to solve these tensions on the face of the Broadcasting
Services Act 1992 it would leave this task to the new regulatory body, the Australian
Broadcasting Authority, to respond to issues on a case by case basis.
Clear Public Interest Objects
One of the greatest achievements of the Broadcasting Services Act 1992,
which I believe has survived the test of time, are the objects laid down in Section 3.
These outline the key public interest objectives for broadcasting regulation in Australia
from 1992 onwards. It is worth running through these objects in detail
because they underpin the entire decision-making processes of the Australian Broadcasting
Authority. These are:
To promote the availability to audiences throughout
Australia of a diverse range of radio and television services offering entertainment,
education and information; and
To
provide a regulatory environment that will facilitate the development of a broadcasting
industry in Australia that is efficient, competitive and responsive to audience needs; and
To
encourage diversity in control of the more influential broadcasting services; and
To
ensure that Australians have effective control of the more influential broadcasting
services; and
To
promote the role of broadcasting services in developing and reflecting a sense of
Australian identity, character and cultural diversity; and
To
promote the provision of high quality and innovative programming by providers of
broadcasting services; and
To
encourage providers of commercial and community broadcasting services to be responsive to
the need for a fair and accurate coverage of matters of public interest and for an
appropriate coverage of matters of local significance; and
To
encourage providers of broadcasting services to respect community standards in the
provision of program material; and
To
encourage the provision of means for addressing complaints about broadcasting services;
and
To
ensure that providers of broadcasting services place a high priority on the protection of
children from exposure to program material which may be harmful to them.
One sees in these objects resonances which have
recurred again and again in broadcasting regulatory policy in the UK, Canada and Australia
since the 1920s.
The Australian Broadcasting Authority has particularly considered these
objects in its Licence Area Planning processes and in its Australian Content and
Childrens Television Standard processes. The Australian Broadcasting Authority has
found these principles enormously valuable and they deserve to find ongoing life wherever
the regulation of broadcasting and on-line services in Australia heads.
Gauging the Public Interest Public
Consultation and Research
As I have previously stated, it is clearly desirable that any regulator
seeking to achieve the public interest needs to engage in dialogue with the public to try
to gauge its views on the various matters with which the regulation is dealing. The
principle means for doing this is by open processes of public consultation. One of the
outstanding successes both of the Broadcasting Services Act 1992 and the Australian
Broadcasting Authority has been in providing for and carrying out a high level of public
and industry consultation on a wide range of issues. Section 27 of the Broadcasting
Services Act 1992 provides that in performing its spectrum planning functions the
Australian Broadcasting Authority must make provision for wide public consultation. It is
inherent in these provisions that any variation to priorities or plans must also involve
wide public consultation (ss.24 (2), 25 (2), 26 (2) and 27 (1)).
The provisions in s.123 regarding the development of industry sector
codes of practice also refer to the need to consider community standards and concerns on a
range of issues (s.123 (2) (a), (c), (l)). In developing codes of practice in relation to
certain matters, it is important to note that community attitudes must be taken into
account on a range of issues (s.123 (3)). The Australian Broadcasting Authority can only
register industry codes of practice if it is satisfied, inter alia, that the code is
endorsed by a majority of the broadcasters in that industry (s.123 (4) (b) (ii)), and that
members of the public have been given an adequate opportunity to comment on the draft code
(s.123 (4) (b) (iii)). The Australian Broadcasting Authority must (s.126), before
determining, varying or revoking such standards as those relating to Australian content
and childrens television (s.122), seek public comment on the proposed standard or
any variation or revocation thereof. When informing itself on any matter relevant to its
functions the Australian Broadcasting Authority may (s.168 (l)):
When the Australian Broadcasting Authority is
publishing a report it must (s.180) give persons adversely affected by that report an
opportunity to comment on it before it is published.
Any hearings conducted by the Australian Broadcasting Authority must
take place in public other than in exceptional circumstances which require the
preservation of confidentiality (s.187). The clear direction of the Broadcasting Services
Act 1992 to the Australian Broadcasting Authority through these provisions was to be as
open and consultative to and of the public as possible.
Consultation is the key to the organisational and operational style of
the Australian Broadcasting Authority. This does come at a price - in terms of time
consumed in the process and resources expended. However, it seems to me that the results
are there to support the effort in the generally favourable reception accorded to findings
of the Australian Broadcasting Authority in its various reporting processes.
Industry Codes
One of the great successes of the Broadcasting Services Act 1992 has
been the development of a co-regulatory approach to the various sectors of the industry
through the requirement for development and administration of industry sector codes of
practice.
It was the original intention of the drafters of the Broadcasting
Services Act 1992 to move the broadcasting industry to a fully self-regulatory platform,
but following public consultation, a very successful model of co-regulation was
incorporated into the Broadcasting Services Act 1992. The role of consultation which is
formally built into the legislation has been a significant part of the success of this
model and ensures that the codes are responsible and responsive to community needs and
expectations.
The model of the Broadcasting Services Act 1992 requires industry to
regulate itself on a sector by sector basis but recognises the need for the overseeing of
this process by a government regulatory agency, namely the Australian Broadcasting
Authority, which must approve industry codes and be responsible for ensuring that public
concerns are addressed by licensees and industry bodies. It has meant that the Australian
Broadcasting Authority and the industry sectors have had to develop a relationship that is
workable and mutually beneficial. Like all healthy relationships, from time to time, the
Australian Broadcasting Authority has its differences with industry and industry players
but overall a greater climate of trust and understanding has been fostered.
Amongst the key features of this approach are:
consultation between the Australian Broadcasting Authority
and relevant industry players at an early stage;
providing
guidelines pursuant to the Broadcasting Services Act 1992 upon which industry can develop
appropriate schemes of self-regulation;
the
commissioning of research by the Australian Broadcasting Authority on community standards
to ensure the ABA is aware of current community concerns;
providing
opportunities for wide public and industry comment in formal processes such as inquiries
on television standards and prior to registration of the codes;
publication of Australian Broadcasting Authority guidelines on decision-making processes;
opportunities for feedback from the industry and the public on Australian Broadcasting
Authority decisions; and
clear
articulation by the Australian Broadcasting Authority of reasons for its decisions.
The existence of this cooperative model of
regulation has led to very positive relations between the Australian Broadcasting
Authority and industry. An example of the benefit to be gained from the more cooperative
and less confrontational relationship has been the development of a voluntary compliance
regime with the spirit of the licence condition for expenditure by pay TV drama channels
on new Australian drama. (Broadcasting Services Act s.102 & s.215 (2)).
Here, where the legislation had not anticipated the way the pay TV
industry would develop, the requirement for mandatory levels of expenditure on new
Australian drama on drama channels was not enforceable. The environment in which the
Australian Broadcasting Authority and pay TV operators consulted, however, allowed for
voluntary compliance by industry with the intention of the Broadcasting Services Act 1992.
This is quite an achievement both for industry and the Australian
Broadcasting Authority. The voluntary compliance did not just happen but is a reflection
of the consultative approach that both the Australian Broadcasting Authority and the
industry have taken to addressing issues arising in connection with codes, standards and
conditions.
Of course, there are those who say this has resulted in too cosy a
relationship between the Australian Broadcasting Authority and industry. I understand this
view but do not share it. It is in the public interest for the Australian Broadcasting
Authority to be able to work with industry to secure positive outcomes for broadcasting
which avoid unnecessary confrontation and litigation and to ensure that the broad objects
of the Broadcasting Services Act 1992 are achieved. I can cite ample evidence that where
the Australian Broadcasting Authority has needed to oppose the position taken by industry
sectors or licensees in order to achieve the public interest it has done so without
hesitation. The strengthening of the Australian content transmission quota, the
introduction of the documentary quota and the strengthening of the Australian
Childrens program quota in the 1994-1995 Review of the Australian Content Standard
are all evidence of this. The 1997 finding by the Australian Broadcasting Authority of a
breach of foreign control provisions of the Broadcasting Services Act 1992 by CanWest is
yet further evidence of this in relation to an individual company.
The recent release of the Draft License Area Plan for the Sydney
metropolitan Region on 9 July 1999, proposing several additional commercial services in
Australias most lucrative radio market, is another clear indication of this. A
further example is the calling of the public inquiry on 19 October 1999 into the
activities of on-air presenters on Radio 2UE and others in relation to "cash for
comment" allegations.
Another example was the 1998 imposition of a condition on the new
commercial television licensee in remote and regional Western Australia to ensure that all
parts of that area should be covered by the new service and not just the most commercially
attractive parts of it.
I can certainly say that I have never seen any evidence of the
Australian Broadcasting Authority succumbing to pressure from industry sectors. It has at
all times striven to be objective and impartial, to assess all of the information before
it and to use that information to achieve one end alone, and that is compliance with the
Broadcasting Services Act 1992 as guided by the objects which the Act so clearly sets out.
Yet in doing all of this the Australian Broadcasting Authority has also been conscious
that it does not have sole responsibility for regulating the broadcasting industry, but
does so in cooperation with each sector of that industry under this scheme of
co-regulation.
Umpire of the self-regulatory process codes registration and
complaints handling by the ABA
One of the fundamental needs of any self-regulatory system is that there be
some umpire to oversee and ensure industrys compliance with its obligations to the
public interest self-regulatory scheme.
The Australian co-regulatory approach requires the broadcasting
industry to assume its responsibilities to the public and effectively maintain those
responsibilities by working in cooperation with the Australian Broadcasting Authority. The
ABA is thus the umpire of the self-regulatory scheme for broadcasting in Australia.
The Broadcasting Service Act 1992 in s.123 places the obligation of
determining and developing appropriate industry and community sector codes of practice
upon the broadcasting industry. When the Act was first passed in 31 January 1992, the
Australian Broadcasting Authority worked side-by-side with industry to assist it in
assuming its newly legislated responsibility of developing and implementing industry codes
of practice in line with the objects of the Act. The main commercial broadcasting bodies,
the Federation of Australian Commercial Television Services (FACTS) and the Federation of
Australian Radio Broadcasters (FARB), registered their codes by 1993, followed by the two
national broadcasters, the Australian Broadcasting Corporation (ABC) and the Special
Broadcasting Service (SBS). By 1997 the broadcasting industry had registered the last
industry codes, those for community broadcasting (1995) and subscription and narrowcast
sectors. The revised FACTS code was registered by the ABA in 1999 and a draft revised FARB
code is presently before the ABA for consideration.
The co-regulatory approach emphasises broadcasters responsibility to
deal effectively with public complaints and remedy public concerns themselves. The
Broadcasting Services Act 1992 provides in s.123 (2) (h) and s.148 that broadcasters
themselves handle their public complaints by the standards determined with the community
as codes of practice. If the public is not satisfied with the broadcasters response,
or if the broadcaster is in breach of a licensing condition, the co-regulatory system
provides recourse to the ABA (s.147). The presence of the government regulator therefore
becomes a stable form of intervention and legal recourse for, at present, roughly 100 to
130 complaints each year. Of these, the ABA finds about 30 each year to be in breach of
industry codes or licensing conditions.
Placing the onus of rectifying justifiable concerns over content upon
broadcasters is not a punitive approach. Rather, the complaints process is designed for
broadcasters to deal responsibly with their public obligation and use it as a valuable and
direct means of public feedback. Part of that process is for the ABA to ensure that
broadcasters deal promptly with complaints. I believe that commercial and national
broadcasters should also consider formalising swift "on air" corrections and
apologies as soon as possible after a specific episode. The ABA recognises that
broadcasters are often inclined to use the legalistic argument about potential litigation
from possible defamation actions to delay an otherwise quick response to a complaint,
especially when an almost immediate on-air response often satisfied the complainant, such
as when their reputation has been unfairly sullied.
While in Australia co-regulation is a complaints-based system, a
significant feature of that framework is the ABAs charge by the Act to monitor the
compliance to standards which the industry has set as codes of practice and to intervene
in regulation if it feels those standards are breached and the Acts objects are not
maintained (ss. 158 (i) (j)). The Act further charges the ABA to take necessary
enforcement under the act by suspending or cancelling licences (ss.158 (c) (f)). In this
respect, the ABAs role of an umpire or ombudsman for public concerns is also
performed directly and need not be initiated by public complaint.
Exercising its role as an umpire of the co-regulatory system, the ABA
recently called an inquiry for October 1999 into allegations that the commercial radio
station 2UE and its presenters John Laws and Alan Jones made comments of an editorial
nature for which a fee or other valuable consideration was received. The Australian
Broadcasting Authority examined the arrangement entered into by the two presenters in
order to determine whether they and the station failed to comply with the standard of
conduct required by the Commercial Radio Codes of Practice relating to "News and
current affairs programs" and "Advertising". Part of the inquiry will
determine whether the current codes provide adequate community safeguards in respect of
the alleged matters, and if not, how these matters might be addressed.
7.3 The challenges ahead for Australian
Broadcasting
The reforms to broadcasting industry regulation in Australia have generally
been regarded as successful, balancing the needs of industry with the public interest.
Putting industry in charge of oversighting and scrutinising its own day to day activities,
and using the industrys own associations and codes, places responsibility first and
foremost with the operators. And that is where it belongs.
However, this co-regulatory approach requires a mature acceptance by
industry of its responsibilities to the public. This in turn involves dedication of effort
and resources on its part to make sure that the scheme works. Co-regulation does not mean
no regulation. Nor does it mean no cost to industry. We believe in Australia that this
approach provides a sound basis for government to work with industry on converging
broadcasting, on-line and telecommunications issues as we advance confidently into the
digital age.
I would like to conclude this part of my paper by identifying what I
see as being a few of the key challenges which lie ahead for policy makers in this area of
communications in Australia and overseas. They are:
to have industry, the public and government each
understanding and accepting of their role in co-regulatory arrangements for the governance
of communications industries;
for
self-regulatory and co-regulatory schemes to maximise the capacity of industry to evolve,
develop and change whilst addressing competition and consumer concerns;
to address
real community concerns about illegal and harmful content on existing and new services
such as the Internet and to do this through effective co-regulatory codes and content
labelling and rating schemes;
to
encourage the generation of new, interesting, intelligent and quality content for
broadcasting and on-line services;
to
maximise the capacity of all citizens to be able to access the emerging array of
communications services.
8 The Relevance of Co-Regulation/Self
Regulation and Public Interest Principles for the Future of Broadcasting
After six years at the Australian Broadcasting Authority, four of those as
General Manager and two as Deputy Chairman, I have drawn the following conclusions about
the state of broadcasting in Australia:
Co-regulation is a sound approach to take with a mature
industry such as broadcasting.
There is a
tendency by both the commercial and the public broadcasters to take self-regulation to
mean either no regulation or no cost regulation and it requires periodic jolts from an
independent statutory regulator to remind them of their obligations under the
co-regulatory framework.
It is
essential that any self-regulatory process should have an umpire or ombudsman who ensures
that the self-regulatory codes are being adhered to and allows final appeal from the
public for complaints about licensees or service-providers.
Public
interest considerations are all too likely to be sidelined when pressure is on in
particular issues and regulators and industry bodies alike need to be reminded of those
public interest consideration.
Organisations which provide an outlet for the public voice on public interest issues are
therefore important components of a healthy co-regulatory environment and deserve to be
supported.
The
individual citizen must be active in the co-regulatory scheme, as a complainant about
programme problems and as a proponent in public inquiries into issues such as Australian
Content or the Radio 2UE inquiry or license area planning processes.
Healthy
well-funded public or national broadcasters are an absolutely essential ingredient in the
national broadcasting environment of modern democracies.
Independent national broadcasters must, however, be subject to the same sorts of
regulatory oversight as the commercial sector.
The focus
on nurturing and protecting children and young people from illegal and harmful material
and to ensure the provision to them of positive and supportive programme content has
rightly emerged in the 1980s and 1990s as one of the driving imperatives of broadcasting
regulatory frameworks.
Local
content rules are essential public interest requirements for countries such as Australia
and Canada which wish to maintain separate national cultural identities or to nurture
national cohesion.
New
broadcasting sectors such as cable and pay television should be subject to similar
regulatory regimes to those which apply to the long-established commercial sectors, as the
public interest is just as great in the use of that part of the public domain as it is in
relation to free to air television. This is particularly so in relation to local content
rules, and in this regard there is a real imbalance in the regulatory regime in Australia
which I believe is inappropriate and unfair to the commercial free to air television
services.
There is a
need for some form of regular review of the performance of licensees rather than simply
allowing their licences to be automatically renewed forever, as is now the case in
Australia. Ultimately the greatest power a broadcasting regulator has is to suspend or
cancel or refuse to renew a licence. The use of the airwaves constitutes a use of a
valuable public asset and the public interest genuinely requires that there be some form
of stocktake of whether a licensee deserves the ongoing use of that part of the spectrum.
I would be happy to see this take place each 10 years, rather than each 5 years, and would
be happy for the processes to be more low key than those practiced by the Australian
Broadcasting Tribunal in the 1980s. However commercial, pay and community broadcasters in
Australia should all have to face some moment of public scrutiny.
One of the
major public interest issues for broadcasting/communications regulators at the present
time of major technological transition from analog to digital is to ensure that the
community interest is protected and continuity of service is preserved during transition
phases.
Above all,
regulators must resist the siren call of industry capture and be seen to be fearless
champions of the real public interest.
I remain absolutely of the view that at the end of
the Twentieth Century, and after eighty years of broadcasting, the original public
interest issues which were seen to be implicit in the use of the broadcasting spectrum
remain largely unchanged, though our way of expressing them may require some restatement.
As Herbert Hoover said in 1924, "[broadcasting] is a public concern impressed with
the public trust and to be considered primarily from the standpoint of public
interest
"
As Mr Marcelino Oreja, the former European Commissioner said at the
Seminar on Self-Regulation in the Media at Saarbrücken in April of this year:
The role of the media goes much further than simply providing information about events and issues; media also play a formative role in society they are largely responsible for forming the concepts, belief systems and even the languages which citizens use to make sense of, and to interpret the world in which they live In other words, media play a major role in forming our cultural identity (65).
These words echo the remarks in 1997 of the Annan Report set out at p.19 of this paper, which I believe remain seriously relevant to our current circumstances. Mr Orejas Saarbrücken speech argues well the case for ongoing relevance of regulatory frameworks for broadcasting to ensure the attainment of the broader public interest objectives:
There are a certain number of public interest objectives which should be preserved in our societies, and which have a European dimension. In my opinion these would be summarised as follows:
ensuring plurality of ownership;
ensuring fair and effective co-regulation;
ensuring diversity of content;
protecting individual rights to privacy, free speech, etc;
protecting intellectual property rights;
maximising individual consumer choice and access to information, and very importantly
ensuring a high level of protection of minors and human dignity.
It would be mistaken to argue that public interest objectives what are, after all, laid down by democratically elected institutions somehow become irrelevant or invalid as a result of technological change.
I believe those to be a fair summary of the key public interest considerations for broadcasting policy, to which I would add for countries such as Australia and Canada the issue of national cultural identity, sovereignty and social cohesion. I note also the statement in the 1995 Irish Green Paper on Broadcasting: "In the tradition of Western European democratic theory and practice, modes of public communications are situated at the heart of the democratic process. The public interest is to broaden and deepen democracy by providing each citizen with opportunities for equal and affordable access to mediated public debate and to the fully diverse sources of in